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The Classical #22
In the scant clear-headed work days allotted between Christmas and the turnover of the New Year, I spent my time renewing an old intimacy with Robert Bresson’s filmography. In the course of this most...
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Bombast #33
Springtime in New York is a terrible time and place to write about movies, because it is one of the narrow windows of time when what is generally a Boschian hell of a cityscape becomes downright sweet...
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Bombast #39
As I was straightening my elaborately-embroidered frock-coat and dipping my peacock-feather quill into my pot of lavender ink, preparing to write this latest communique in my signature elegant looping...
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Here & Now & Then: 1959
In this column, I’ve ventured time and again to reinforce the notion that in cinema the concept of timelessness is a largely false one. There are few things more intrinsic to a film’s nature than its...
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